BLUEBEARD’S DAUGHTERS

I’m very happy that the belgian-hungarian crime miniseries BLUEBEARD’S DAUGHTERS, co-created with Judit Banhazi and Béla Bagota, received in 2022 the COCO-I grant for international series co-writing from the French CNC.

We are very proud of the pilot we delivered, and we can’t wait to move the project to the next phase.

Onboard Netflix’ 1899

Since last October, I’m lucky to be part of the team working on the super ambitious crazy Netflix period mystery 1899, by Jantje Friese and Baran Bo Odar, the creators of Dark.

I’m the French translator and the French language consultant on set. It’s an amazing experience to be part of such a huge production with exciting new technology.

Learning a lot!


https://deadline.com/2021/05/1899-netflix-creators-dark-talk-europes-largest-virtual-production-stage-multilingual-series-1234747377/

C21 London time

I spent a week in London at the C21 Content conference, listening to interesting panels and meeting enthusiastic creators. I also participated in a two days showrunner masterclass, under the supervision of Spooks creator David Wolstencroft. What a joy to be back in a writers room, even if it was just a simulation!

Amazing time in Beijing

I spent ten amazing days in China, thanks to the project lab Bridging the Dragon and TV60. We pitched our crazy adventure movie, scouted locations, exchanged with passionate filmmakers and received super smart feedback from our mentor Li Wei, screenwriter for Zhang Yimou!

Can’t wait to keep working on that story and to come back to Beijing! Xie xie!

Chinese adventure!

The feature film adventure comedy I’m writing for TV60Film (Munich), THE FAKE ADVENTURER, inspired by Karl May, has been selected for Bridging the Dragon, a coproduction summit.

I’m flying to Beijing next month to pitch the project to Chinese producers! Time to brush up on my Mandarin…

French Funding

Good news! Our historical horror TV series project DIE STADT, created by Elena Lyubarskaya, received the new funding from the CNC (Centre du Cinéma, Paris) for development in co-writing of international co-productions.

We’re looking forward to researching this project and to dive deeper into the deranged mind of its main character.